About
Originally from California, Megan Belmonte studied painting, sculpture, and figure drawing at the Academy of Art University in San Francisco before pursuing a career in land conservation across the American West. She returned to painting full time in 2023 and now works out of her studio in Oregon’s Willamette Valley, where she draws daily inspiration from the region’s coastal headlands, valley meadows, and cascade peaks.
Her oil paintings reflect an ongoing exploration of Western landscapes; particularly the light, space, and movement that define the Pacific coast and inland valleys. Drawing from California Impressionism and modernist color theory, Belmonte uses a vibrant, simplified palette to render open land and sky with clarity and emotional resonance.
Belmonte was a member of New Zone Gallery in Eugene, Oregon from 2023 to 2025, and her work is held in private collections throughout the Pacific Northwest. In June 2025, she was awarded First Place in the Open Division and the Artist’s Choice Award at the Willamette Valley Lavender Festival for her work “Where the Light Falls.” In September 2025, she was awarded First Place in the Oregon Society of Artists Oil Exhibition for her work, “Twilight Passage.”
Exhibits & Awards
2025 Society of Artists Oil Exhibition
First Place Award, Twilight Passage
People’s Choice Award, Twilight Passage
2025 Cannon Beach Gallery Maritime Navigation Exhibition
2025 Willamette Valley Lavender Festival
First Place Award, Where the Light Falls
Artists’ Choice Award, Where the Light Falls
2025 New Zone Gallery Zone for All Show
2024 New Zone Gallery Zone for All Spring Show
2024 New Zone Gallery Zone for All Fall Show
Statement
I am drawn to the space between earth and sky, the moment when distance softens and color becomes memory. My paintings emerge from a deep affinity for wild places, for wide horizons and atmospheric light that feels like breathing.
Before turning to painting full time, I spent years working in environmental conservation. That time taught me to see land not as an object, but as a living presence: every ridge, every sky arc, every mist-veiled hill speaks. In my studio I respond to that presence; translating emotional resonance into form.
I paint with layers of oil, with quiet transitions and intentional restraint. I don’t aim to depict a particular view so much as the feeling of being in landscape: a temperature, a hush, a memory of light. I choose high-key colors and soft edges so that space seems to hover beyond the frame, as though the scene continues just past the canvas’s edge.
Collectors tell me my work carries a quiet energy and a stillness that’s alive. I hope each painting becomes a contemplative place, bringing the depth and openness of the western land into the interior. In that exchange, I believe art can hold both belonging and wonder.